Întâlnire și de recrutare toulouse octombrie 17It is an offer they cannot refuse. The Giant is manipulated in full view by a team of actors all dressed in red. Photography in the Visual Arts in Belgium, M HKA, Antwerp (BE) Capital: Debt Territory Utopia, Hamburger Bahnhof, Berlin (DE) In Wonderland, Salon Dahlmann, Berlin (DE) Angst Essen Seele Auf, LLS387, Antwerp (BE) 2015 Chinese Utopias revisited the elephants, Bozar Brussels (BE) le Bourgmestre de Furnes. 2011 Kataloge / catalogues: Collector, Collection of the Fond National dArt Contemporain, Le Tri Postal, Lille / France, 2011. Culture Club, France 4 tv, January 24th, 2006. Project europa: Imagining the (Im)possible, the Miriam and Ira. The Telegraph, June 20th, 2006. Madame Figaro, October 8th-14th, 2005. Narben der Geschichte: Kader Attia demaskiert in Berlin den Kolonialismus, Monopol Magazin 07 (June 2013). Architektur der Erinnerung, Museum Ludwig, Koblenz / Germany. Shows were held in French train stations until 1986.
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Le Journal des Arts, May 2003. Faced with this Giant, these friendly characters are reminiscent of Jules Verne and the Lilliputians and add something to this fantastical world. Kunstbeeld, April 30th, 2006. Die Neue Zürcher Zeitung, September 25th 2005. Jane Ure-Smith: Political art: Kader Attia at the Museum für Moderne Kunst, Frankfurt, Financial Times, July 8, 2016. It was performed two hundred and forty times in twenty-two European and Latin American countries, as well as in Africa and the ussr. The company moves from a regional tour to small towns to an international tour passing through Madrid and Pamplona. Jeune Afrique lIntelligent, January 22nd-28th, 2006. Integration and Resistance in the Global Era, 10 savanna Biennale, Havanna / Cuba, 2009. Boulevard des illusions perdues, Lévénement du jeudi, February 2000. David schärft unseren Blick, Die Hersfelder Zeitung, December 2000. Italy Magazine, June 2003. The Repair from Occident to Extra-Occidental Cultures, The Green Box, Berlin / Germany, 2014. The show "The Traffic-Jams" is born: twenty vehicles with unusual scenes played on their roofs, criss-crossing the city from six to nine in the morning or evening during rush hour traffic.
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